The Voice of the “New Soweto Lost Generation”

Simphiwe Mlangeni introduces himself as a member of the “new Soweto lost generation,” a term he uses to encapsulate his mixed background and deep-rooted connection to the vibrant streets of Soweto. His artistic journey is deeply interwoven with his unique heritage, which is a tapestry of influences and experiences.

Born into a family where creativity was not just a calling but a way of life, Simphiwe’s father, a sculptor and a theatre performer, laid the foundation for his artistic odyssey. Simphiwe’s art defies categorization, as he masterfully navigates diverse mediums, including sculpture, painting, and print-making. His artistic canvas extends even further as he crafts physical installations at art galleries and produces captivating art-exhibit video clips. For Simphiwe, being an artist is not just a vocation; it’s a lifestyle, a relentless exploration of self-expression in its various forms.

In the realm of art, Simphiwe finds a fresh source of inspiration in Superblur, a concept that represents the birth of something new. His artistic signature is drawn in monochrome, but what truly sets him apart is his fearless use of black enamel paint, a medium known for its temperamental nature, as it takes an extended period to dry. This daring choice is a testament to Simphiwe’s determination to push the boundaries of artistic expression.

Family stands as a powerful motif in Simphiwe’s art. He employs trees and a tap as metaphors to encapsulate his childhood memories, rooted in the nurturing care of his grandmother. In this artistic narrative, the tap symbolizes his grandmother’s influence, much like water to a growing tree. As he identifies himself with the tree, nourished by the water from the tap, he pays homage to the profound impact of his grandmother and the enduring ties that connect him to his roots.